Wednesday, February 17, 2010

Live Music for Parties: Facebook, YouTube…Yikes!

Frank Sinatra, the ultimate entertainer who turned large amphitheaters into intimate settings, would not be amused by today’s trend toward viral media. YouTube, MySpace, Facebook, eek! Handy for looking things up, but a royal pain in the ass when it comes to handcrafted live music.

“I’m not sure if I want you to play the Michael Buble version or the Sinatra version,” a client will say — and off we go on an internet surfing safari to find “just the right version.”

So now YouTube is our music director.

Nelson Riddle wouldn’t have liked this either.

The whole beauty of what Dean Martin, Frank Snatra and the rest of the Rat pack did was based on pure spontaneity. One merely has to watch a few of Dean Martin Show re-runs to figure that out.

Dean liked spontaneity so much that he refused to rehearse, preferring to show up in time for the taping and be surprised himself at the antics of his guest stars.

That was back in the days when people who entertained other people actually had some talent.

What a concept.

Monday, February 1, 2010

Swinging Jazz; Live Music for Events

A group of composers were sitting around planning a tribute to one of their peers.

“Call Judy Chamberlain,” someone said. “She’s the only one who sings the songs right.”

Words…and music, the way the composers wrote them. Swinging jazz.

These things do not often go hand in hand.

But they should.

Miles Davis could not have recorded his groundbraking albums in the 1960’s if he hadn’t known where the music came from and who wrote it and why.

Louis Armstrong was a master of authenticity. So were Frank Sinatra, Ella Fitzgerals, Bing Crosby, Billie Holiday, Sarah Vaughn, Fred Astaire.

Many were dancers, and could sing tricky phrases filled with emotion while never missing even the hair of the a click of a beat within the meter. They were vitrual “time” machines.

It’s called “swinging.”

Real bands play music you can dance to. That doesn’t mean cardboard-rigid phrasing, which is what we hear with a lot of today’s big bands. Oh, the bands are playing nicely enough. But they are READING from a book on a music stand in front of them! Count Basie and Duke Ellington they ain’t. Most of them just don’t swing.

Authenticity. Staying true to the words and melody that the composers wrote. Swinging like mad, making everything danceable. Meter, time “feel,” correctness.

It cannot be faked.

Swinging is an art.

Singing while the band is swinging is an art.

Sinatra did it. Ella Fitzgerald did it. Billie Holiday, even when stoned out of her mind, did it. Ellington, Basie, Bing Crosby — these people all swung like mad.

It’s what you hire a live band for, especially a live band playing music for people who are dancing…or really listening to the music. To have anything less is inconceivable. But that is what you might very well get with some of the ridiculously overpriced “live bands” that are out there in the marketplace. Why? Because they don’t know the history of the music, or of the composer – or even the right words to the song. Maybe they’ve never played — or even heard — that song before and are reading it from a book.

No wonder so many people throw in the towel and hire a DJ. But it doesn’t have to be that way.

I suspect some of the latest crop of “event bands” are overpriced because they have to work so hard learning music they are not accustomed to playing. Sort of like if one of our great jazz or swing bands suddenly announced that it had become a Top Forty band.

Louis Armstrong would roll over in his grave!

Around here, we don’t need no stinking rehearsals! We’ve been playing this music all of our lives, and we play it right! We respect and revere what the composer wrote. We pay homage to the words, to the melody. We don’t take liberties with something that’s already perfect. It’s not cool to “re-harmonize” Cole Porter.

We do fool around with tempos — because we CAN. We turn hip hop songs into standards, and add lots of funk, soul and groove to standards to keep things fresh and interesting. Other than that, you’re going to hear music they way you think you should be hearing it. Fred Astaire, Frank Sinatra, Bing Crosby — they were dancers, veritable “time” machines.

That’s what we do.

Don’t try it at home, and don’t expect to get it with a group of “jazzers” you pull out of a bar.

It don’t mean a thing if it ain’t got that swing.

It helps when musicians know where the music came from, who wrote it and why.

We do.

Sunday, January 24, 2010

Modern Vintage Live Music

Vintage music is a glamorous, stylish backdrop for sophisticated weddings and events.

Especially when it’s updated, delicious modern vintage LIVE music, played with originality and improvisational showmanship by a live band that specializes in weddings and events …and plays an enormous repertoire that spans every style and decade of vintage music.

Why vintage?

Because almost all music worth playing — for a great LIVE band, that is — is vintage now.

Retro, contemporary, hip and modern, vintage music transcends cultures and generations.

What exactly is vintage music?

Basically, it’s the timeless “pop” music that was written during the Twentieth Century.

Vintage styles include dixieland, ragtime, Roaring Twenties, Deco, ballroom, early and big band swing, mid-century moderne, Sinatra Rat Pack, rock & roll, doo-wop, Motown, R&B, classic country and the Golden Age of Hollywood, including Old Hollywood and “contemporary” Hollywood. Audrey Hepburn, Fred Astaire, James Bond, Cole Porter, Broadway and the Beach Boys. The Eagles, Aretha Franklin, Nat King Cole… it’s all in there. And much, much more…..

It’s music you can REALLY dance to. Words and feelings you can understand.

I love it when people gather around the stage and call out requests.

Even people who don’t speak English know the words to “Fly Me To The Moon.”

Vintage music is as much fun today as it was when it was simply called…..music.

Friday, January 8, 2010

Hiring A Live Band: Loud Is Not Better!

At the high end of sophistication, nobody wants to have their conversation drowned out by a band that thinks it’s the main event…at a rock concert! Live wedding entertainment should mean a live band…too often anymore, the term is being used to connote that somebody hired a DJ!

And while that’s better than an ipod, because somebody is actually giving some thought to the music while it’s happening, there is nothing more musical than a live band.

It’s the folly of an empty ballroom, in which the guests are trying to make themselves very small by DISAPPEARING. They’re hiding on the patio or in the hallway outside the ballroom…calling the concierge to bring them EARPLUGS. The band is playing dance music, but nobody’s dancing. What could these people be thinking?

This is not entertainment! It’s ego. Even during dinner, some of these musicians are narcissistic enough to get carried away. From start to finish, a live band should never be so loud that guests at a wedding cannot talk…or hear themselves think.

That doesn’t mean the music should disappear, either. Live music with what we call “presence” is dependent upon excellent sound, and most wedding bands and DJ’s just don’t have a clue what that is.

It helps to have a reat sound system helps, one with more than the usual two settings of LOUD and OFF. But that’s really just the beginning. Acoustics are avery important. And if you don’t have the right acoustics it’s easy enough to create them. All it takes is planning, knowledge and experience. Like being savvy enough to know that it’s not smart to cram the dance floor right up against the stage. But I digress…

There is no easy “fix” to great sound. The room, the ceilings, the walls, the furniture…all come into play as part of the equation.

It’s complicated.

Guest: We’ve never been to a wedding before where we could dance to the band, hear the music so well and still have a conversation!

I hear this comment all the time.

Long before the guests arrive, I’m in the ballroom setting up. The band is usually the first to arrive at an event and the last to leave.

And long before we ever arrive in the ballroom — or the garden, the private estate — I’ve reviewed seating charts, stage setups, dance floor proportions….and so much more.

Staging, sound design, dance floor placement, ballroom seating charts? What, you ask, do these have to do with msuicians performing in a wedding band, playing live music at a wedding?

Can’t a band just show up and play some music?

NO!

We aim for a much better sound than what’s “out there” today in the world of wedding entertainment.

The is not “DJ sound,” folks.

There is no need for the band to be louder than the guests — or for the guests to have to run and hide in the vestibule outside of a hotel ballroom in order to get away from the music.

Live music is about subtlety and nuance, or at least it should be. And while our “sound” has a lot to do with the custom-designed sound system we use, it also has a lot to do with mastering and effecting staging and sound design that’s right for each setting. And each setting is different. Different, too, are the moods our clients want to create. But if they are opting for live music, they deserve to have something better than the two settings almost everyone in the wedding music business is using today: loud and off.

We hate that awful noise as much as you do. Frank Sinatra would never have allowed it. Tony Bennett doesn’t allow it. I’ve been to his concerts, and he understands sound. Probably supervises it himself….

We don’t “fly” speakers from poles in the air, with loud sub-woofers aimed at people’s heads.

Our speakers go on the floor, and the sound we project is diffused in a way that fills the room and gives our performances “presence.” Up and out….you can hear it all over the room and it’s delightful.

You can talk while we’re playing, yet we’re not “background music.”

We put on a show, but you don’t have to be paying rapt attention to us in order to enjoy it. You can go outside and smoke a cigar…spread a blanket out under the stars and listen to the sounds wafting out from the ballroom…dance, talk, eat….and enjoy the music.

You can also dance to everything we play, if you want to. And if you don’t want to, you won’t feel like you’re missing out on anything.

This is the way entertainment used to be presented at weddings — and even in nightclubs — when I was a little girl. Perhaps the singer on the stage was Ella Fitzgerald or Frank Sinatra. Maybe Benny Goodman’s band was playing. As I recall from my New York City childhood, those people weren’t up there with a “look at me, aren’t I great” attitude. The “house music” didn’t come on to drown our your thoughts and ruin your mood when they took a break, either.

There was no awful guitarist alternating with one of those bands…playing to “tracks” or performing live karaoke like we hear in restaurant after restaurant that professes to have “live entertainment” these days.

We do things the old-fashioned way, and that means when you hire one of our bands to perform live music for your wedding, party or special event you are going to have great sound. Not loud sound that drowns out your every thought, but great sound that allows for the nuances of live music to weave their magical spell.

I’ve spent a lifetime trying to musically interpret these nuances, remembered from a time when bands were bands and nightclubs were nightclubs and hotel and DJ sound systems weren’t geared toward loud is better.

Because it’s not.