Monday, February 22, 2010

Corporate Event Entertainment: Live Vintage Music

I love the old adage, “say it with music!”

It’s the title of a song, and a lovely thought.

How many times have we wanted to express an emotion or feeling but were at a loss for words?

Music reaches the deepest places in our hearts.

Vintage music, especially, can evoke a childhood memories and a simpler and better time.

Corporate event entertainment is sometimes all about glitzy tribute bands and noisy floor shows that make you wish you’d brought your ear plugs.

It can also be about really entertaining people…giving people themselves as a gift.

It’s a lovely formula for throwing a party that’s really a party!

Wednesday, February 17, 2010

Live Music for Parties: Facebook, YouTube…Yikes!

Frank Sinatra, the ultimate entertainer who turned large amphitheaters into intimate settings, would not be amused by today’s trend toward viral media. YouTube, MySpace, Facebook, eek! Handy for looking things up, but a royal pain in the ass when it comes to handcrafted live music.

“I’m not sure if I want you to play the Michael Buble version or the Sinatra version,” a client will say — and off we go on an internet surfing safari to find “just the right version.”

So now YouTube is our music director.

Nelson Riddle wouldn’t have liked this either.

The whole beauty of what Dean Martin, Frank Snatra and the rest of the Rat pack did was based on pure spontaneity. One merely has to watch a few of Dean Martin Show re-runs to figure that out.

Dean liked spontaneity so much that he refused to rehearse, preferring to show up in time for the taping and be surprised himself at the antics of his guest stars.

That was back in the days when people who entertained other people actually had some talent.

What a concept.

Monday, February 1, 2010

Swinging Jazz; Live Music for Events

A group of composers were sitting around planning a tribute to one of their peers.

“Call Judy Chamberlain,” someone said. “She’s the only one who sings the songs right.”

Words…and music, the way the composers wrote them. Swinging jazz.

These things do not often go hand in hand.

But they should.

Miles Davis could not have recorded his groundbraking albums in the 1960’s if he hadn’t known where the music came from and who wrote it and why.

Louis Armstrong was a master of authenticity. So were Frank Sinatra, Ella Fitzgerals, Bing Crosby, Billie Holiday, Sarah Vaughn, Fred Astaire.

Many were dancers, and could sing tricky phrases filled with emotion while never missing even the hair of the a click of a beat within the meter. They were vitrual “time” machines.

It’s called “swinging.”

Real bands play music you can dance to. That doesn’t mean cardboard-rigid phrasing, which is what we hear with a lot of today’s big bands. Oh, the bands are playing nicely enough. But they are READING from a book on a music stand in front of them! Count Basie and Duke Ellington they ain’t. Most of them just don’t swing.

Authenticity. Staying true to the words and melody that the composers wrote. Swinging like mad, making everything danceable. Meter, time “feel,” correctness.

It cannot be faked.

Swinging is an art.

Singing while the band is swinging is an art.

Sinatra did it. Ella Fitzgerald did it. Billie Holiday, even when stoned out of her mind, did it. Ellington, Basie, Bing Crosby — these people all swung like mad.

It’s what you hire a live band for, especially a live band playing music for people who are dancing…or really listening to the music. To have anything less is inconceivable. But that is what you might very well get with some of the ridiculously overpriced “live bands” that are out there in the marketplace. Why? Because they don’t know the history of the music, or of the composer – or even the right words to the song. Maybe they’ve never played — or even heard — that song before and are reading it from a book.

No wonder so many people throw in the towel and hire a DJ. But it doesn’t have to be that way.

I suspect some of the latest crop of “event bands” are overpriced because they have to work so hard learning music they are not accustomed to playing. Sort of like if one of our great jazz or swing bands suddenly announced that it had become a Top Forty band.

Louis Armstrong would roll over in his grave!

Around here, we don’t need no stinking rehearsals! We’ve been playing this music all of our lives, and we play it right! We respect and revere what the composer wrote. We pay homage to the words, to the melody. We don’t take liberties with something that’s already perfect. It’s not cool to “re-harmonize” Cole Porter.

We do fool around with tempos — because we CAN. We turn hip hop songs into standards, and add lots of funk, soul and groove to standards to keep things fresh and interesting. Other than that, you’re going to hear music they way you think you should be hearing it. Fred Astaire, Frank Sinatra, Bing Crosby — they were dancers, veritable “time” machines.

That’s what we do.

Don’t try it at home, and don’t expect to get it with a group of “jazzers” you pull out of a bar.

It don’t mean a thing if it ain’t got that swing.

It helps when musicians know where the music came from, who wrote it and why.

We do.

Sunday, January 24, 2010

Modern Vintage Live Music

Vintage music is a glamorous, stylish backdrop for sophisticated weddings and events.

Especially when it’s updated, delicious modern vintage LIVE music, played with originality and improvisational showmanship by a live band that specializes in weddings and events …and plays an enormous repertoire that spans every style and decade of vintage music.

Why vintage?

Because almost all music worth playing — for a great LIVE band, that is — is vintage now.

Retro, contemporary, hip and modern, vintage music transcends cultures and generations.

What exactly is vintage music?

Basically, it’s the timeless “pop” music that was written during the Twentieth Century.

Vintage styles include dixieland, ragtime, Roaring Twenties, Deco, ballroom, early and big band swing, mid-century moderne, Sinatra Rat Pack, rock & roll, doo-wop, Motown, R&B, classic country and the Golden Age of Hollywood, including Old Hollywood and “contemporary” Hollywood. Audrey Hepburn, Fred Astaire, James Bond, Cole Porter, Broadway and the Beach Boys. The Eagles, Aretha Franklin, Nat King Cole… it’s all in there. And much, much more…..

It’s music you can REALLY dance to. Words and feelings you can understand.

I love it when people gather around the stage and call out requests.

Even people who don’t speak English know the words to “Fly Me To The Moon.”

Vintage music is as much fun today as it was when it was simply called…..music.

Friday, January 8, 2010

Hiring A Live Band: Loud Is Not Better!

At the high end of sophistication, nobody wants to have their conversation drowned out by a band that thinks it’s the main event…at a rock concert! Live wedding entertainment should mean a live band…too often anymore, the term is being used to connote that somebody hired a DJ!

And while that’s better than an ipod, because somebody is actually giving some thought to the music while it’s happening, there is nothing more musical than a live band.

It’s the folly of an empty ballroom, in which the guests are trying to make themselves very small by DISAPPEARING. They’re hiding on the patio or in the hallway outside the ballroom…calling the concierge to bring them EARPLUGS. The band is playing dance music, but nobody’s dancing. What could these people be thinking?

This is not entertainment! It’s ego. Even during dinner, some of these musicians are narcissistic enough to get carried away. From start to finish, a live band should never be so loud that guests at a wedding cannot talk…or hear themselves think.

That doesn’t mean the music should disappear, either. Live music with what we call “presence” is dependent upon excellent sound, and most wedding bands and DJ’s just don’t have a clue what that is.

It helps to have a reat sound system helps, one with more than the usual two settings of LOUD and OFF. But that’s really just the beginning. Acoustics are avery important. And if you don’t have the right acoustics it’s easy enough to create them. All it takes is planning, knowledge and experience. Like being savvy enough to know that it’s not smart to cram the dance floor right up against the stage. But I digress…

There is no easy “fix” to great sound. The room, the ceilings, the walls, the furniture…all come into play as part of the equation.

It’s complicated.

Guest: We’ve never been to a wedding before where we could dance to the band, hear the music so well and still have a conversation!

I hear this comment all the time.

Long before the guests arrive, I’m in the ballroom setting up. The band is usually the first to arrive at an event and the last to leave.

And long before we ever arrive in the ballroom — or the garden, the private estate — I’ve reviewed seating charts, stage setups, dance floor proportions….and so much more.

Staging, sound design, dance floor placement, ballroom seating charts? What, you ask, do these have to do with msuicians performing in a wedding band, playing live music at a wedding?

Can’t a band just show up and play some music?

NO!

We aim for a much better sound than what’s “out there” today in the world of wedding entertainment.

The is not “DJ sound,” folks.

There is no need for the band to be louder than the guests — or for the guests to have to run and hide in the vestibule outside of a hotel ballroom in order to get away from the music.

Live music is about subtlety and nuance, or at least it should be. And while our “sound” has a lot to do with the custom-designed sound system we use, it also has a lot to do with mastering and effecting staging and sound design that’s right for each setting. And each setting is different. Different, too, are the moods our clients want to create. But if they are opting for live music, they deserve to have something better than the two settings almost everyone in the wedding music business is using today: loud and off.

We hate that awful noise as much as you do. Frank Sinatra would never have allowed it. Tony Bennett doesn’t allow it. I’ve been to his concerts, and he understands sound. Probably supervises it himself….

We don’t “fly” speakers from poles in the air, with loud sub-woofers aimed at people’s heads.

Our speakers go on the floor, and the sound we project is diffused in a way that fills the room and gives our performances “presence.” Up and out….you can hear it all over the room and it’s delightful.

You can talk while we’re playing, yet we’re not “background music.”

We put on a show, but you don’t have to be paying rapt attention to us in order to enjoy it. You can go outside and smoke a cigar…spread a blanket out under the stars and listen to the sounds wafting out from the ballroom…dance, talk, eat….and enjoy the music.

You can also dance to everything we play, if you want to. And if you don’t want to, you won’t feel like you’re missing out on anything.

This is the way entertainment used to be presented at weddings — and even in nightclubs — when I was a little girl. Perhaps the singer on the stage was Ella Fitzgerald or Frank Sinatra. Maybe Benny Goodman’s band was playing. As I recall from my New York City childhood, those people weren’t up there with a “look at me, aren’t I great” attitude. The “house music” didn’t come on to drown our your thoughts and ruin your mood when they took a break, either.

There was no awful guitarist alternating with one of those bands…playing to “tracks” or performing live karaoke like we hear in restaurant after restaurant that professes to have “live entertainment” these days.

We do things the old-fashioned way, and that means when you hire one of our bands to perform live music for your wedding, party or special event you are going to have great sound. Not loud sound that drowns out your every thought, but great sound that allows for the nuances of live music to weave their magical spell.

I’ve spent a lifetime trying to musically interpret these nuances, remembered from a time when bands were bands and nightclubs were nightclubs and hotel and DJ sound systems weren’t geared toward loud is better.

Because it’s not.

Tuesday, December 29, 2009

Live Music for Weddings: Destination Moon!

The Guests Danced Before They Sat Down For Dinner!

I recently had a terrific time collaborating on a first dance with a dance instructor and a lovely couple whose wedding took place in late December in Arizona. There wasn’t a lot of time for dance lessons, but when the dancers are fast learners it makes things easier. We texted, e-mailed, sent carrier pidgeons back and forth and I timed the timed the sequence with the dance instructor over the phone, merging two distinct tempos.

Some weddings have a life of their own; this one was on fire! The bride and groom joined guests on the dance floor were on the dance floor seconds after they were announced — to the stirring strains of the Air Force Theme Song — dancing to “Cheek To Cheek” long before it was time for their official first dance.

Now THAT’s a wedding!

And it never slowed down from there.

Filled with heart and soul, lots of personality and and love, the lovely winter wedding was a thriller that united two very special families on an amazing night in a ballroom envisioned and designed by the father of the bride.

“We could actually DANCE to your music,” was a comment I heard all night.

And this: “We could actually carry on a conversation!”

“I felt like I was at a fairy-tale wedding,” one of the guests told me in the hotel lobby the next morning.

I’d have to agree. And the band had as much fun as the guests!

We’re classically trained jazz musicians with a swing sensibility and rock and roll souls. Known for playing the right music at the right time, we don’t use a lot of music onstage because we’re moving fast. Sometimes we’re moving REALLY fast!

We can take a bunch of songs that have nothing to do with each other, mix up the styles and genres, eras and decades and play a continuous medley of music for hours. Like our “forefathers”, the musicians who played in the Lester Lanin and Meyer Davis society wedding bands, we don’t have to slow down to turn pages in a book. We go with “the flow” and keep parties exciting, pacing with great tempos when people are dancing. Keeping the energy level interesting while staying under the level of conversation is a neat trick. We’re not loud, but we are a lot of fun. We improvise … because we can. And we never play anything the same way once.

Unless it’s your first dance.

For THAT, you’ll know exactly what to expect. Like a great song and dance team, you become part of us and we become part of you.

The song the couple chose to dance to was Michael Buble’s “Everything.” A FABULOUS tune. They learned rhumba steps to go with it. They also wanted to have a tempo change midway, so we planned that they would switch to a waltz as a surprise. We LOVE surprises; they are the stuff wedding memories are made of.

For the waltz, they decided on “Melody Of Love.” A beautiful, perfectwaltz, it was one of about a dozen I’d suggested, and my favorite of the batch. Written in 1903, with words added in 1954, it had been my parents “song” when they were married in the 1930’s.

Our three-way long-distance “rehearsal” had worked very well, and the result was flawless!

Of course, some people are just natural-born dancers.

We had a LOT of help in the form of musical creativity and planning expertise from the mother of the bride, who knows even more songs than I do!

Additional support and encouragement came from the father of the bride, who envisioned an intimate room rather than a sterile hotel ballroom and made it happen! The mother of the groom was a big help, too, rounding out the collaborative effor of putting together the “signature” dance songs.

For the bride’s dance with her father, we played “Young At Heart.” He is.

The groom and his mother danced to a rocked-out version of “Without A Song,” with the tempo choice specified by the musically-talented groom as he led his mom onto the floor.

It was GREAT!

For me, some of the most poignant and meaningful moments of the evening came when the bride’s parents danced to “Time After Time” — “time after time, I tell myself that I’m…so LUCKY to be loving you” — and the groom’s parents danced to “You’re The Best Thing That Ever Happened To Me.

For the last dance, we played “Destination Moon,” sending the couple off on the groom’s “rocket ship” for a “supersonic honeymoon” …wherever it was they were going.

Friday, December 18, 2009

Live Wedding Music: The Great American Songbook

We never play anything the same way once!

That’s a joke, ok?

But being something of an “original,” the standards we play are not at all in the “cover band” category.

To us, happiness is no longer having to apologize for not being a “Top 40” band. Evidently, a lot of people don’t want to hear that music anymore from a live band.

So we are thrilled when our clients say things like:

“I don’t want to be like other brides.”

“Please don’t play the same songs everyone plays at weddings.”

“DO NOT play that awful 1980’s crap.”

“If we hear ‘Celebrate’ one more time at a wedding, we’re going to SCREAM.”

“We don’t care as much about dancing as we do having an elegant party with great food and good conversation.”

“We just want our guests to have a good time.”

“We want our wedding music to reflect our personalities.”

“Help! We have no idea what we want…but we know we want it to be good.”

“We think music can carry the day.”

“Please make everything you play really your own.”

“We hired your swing band because it’s NOT a cover band.”

Clearly, something is changing out there.

People who have the taste level and desire to utilize live music for their wedding, special event or corporate function are looking for something really special.

There seems to be a trend back to….well, REALLy live music.

The music we call “the good stuff.”

And they want it played the way it’s supposed to be played…the way we’ve always played it…with passion, spirit and skillfully improvised originality. Fresh takes on the standards.

The standards!

Yay!

Monday, December 14, 2009

Rat Pack Fun, Vintage Live Music

We’re saving the planet, one Cole Porter tune at a time…..

Everybody loves glamorous modern vintage retro Old Hollywood music.

For weddings, parties and events there is nothing more engaging, romantic, fun and exciting that the music of the mid-Twentieth Century. Liike the furniture, clothing and movies that came out of those years, mid-century moderne music is a hot item!

No music has ever captured the heart, soul and imagination of the world like the standards, ballroom, novelties, Rat Pack, Jet Set, Old Hollywood and vintage swing music of the Roaring Twenties 1920’s, 1930’s, 1940’s, 1950’s, 1960’s and 1970’s.

Mid-century is the “sweet spot” of all of tht music. Some of it was first recorded in the ’20’s and ’30’s, then re-visited in the 1950’s and 1960’s. It’s fabulous music, and perfect music for weddings and events because it speaks to EVERYONE!

It’s turning up everywhere: in re-mixes you hear at the mall — and on the records of Rod Stewart, Sting, Michael Buble and others.

The records are great. But imagine the thrill of hearing — and dancing to — this kind of music performed live!

Live music for a wedding or event is pretty exciting when it captures the timeless, universal appeal of the Great American Songbook, ballroom dance music in songs sung with feeling, especially for you.

At the high end, Los Angeles wedding entertainment of the vintage variety means live, organic and in-the-moment…it’s the hallmark of this music, the depth of it — that is being performed especially for YOU, the way it used to be when Frank Sinatra, Ella Fitzgerald, Louis Armstrong and Stan Kenton were household names.

A large part of the appeal of vintage music is that it has the capability of connecting with your soul in a very personal way.

Records are nice. But they don’t really convey the personal elements that live music does,

“Canned” performances from bands and singers who are imitating someone aren’t very exciting, either. You might as well be listening to karaoke.

Anyone who has ever heard Tony Bennett in concert knows what I mean.

At a recent holiday party in the living room of a fabulous pool house in California, we cleared a space next to the fireplace and everyone gathered around us as we performed the music of Cole Porter, Rogers and Hart, Irving Berlin — and Brenda Russell, Barry Manilow…pure 20th Century. It really was like a scene from a movie. Nobody wanted to leave, especially us.

We don’t sing along with tracks or imitate Frank Sinatra — or anyone else. We just play the music the way we’ve always played it, with passion and feeling.

There’s nothing cookie-cutter about what we do. That just doesn’t work well with modern vintage hip live swinging timeless retro Old Hollywood music. We never play anything the same way once, anyway.

In celebration of having played the Great American Songbook it since it was popular the FIRST time around — at least quite a bit of it — we make it look easy. And for us, it is. We’re not turning pages in a book. Our performances are directed toward giving you…yourself. Does that make sense? It’s the way things used to be done, the way music — REAL music — should be played. We’ve been performing this music all our lives.

For glamorous parties and events, there is simply nothing finer.

“Singer/bandleader Judy Chamberlain has mastered the art of mesmerizing both the audience and her own band.” All Music Guide

Monday, November 23, 2009

Unforgettable Vintage Live Wedding & Event Music

One of the nicest things about the magnificent styles of vintage Twentieth Century music — including retro, deco, mid-century moderne, early swing, big band swing, Old Hollywood and the Great American Songbook is that it’s perfect music for the most memorable wedding and events.

Even when the song is over, the melody lingers on.

We like that!

Dear Judy, thank you for being such a beautiful part of our wedding. Andrew and I fell in love with your timeless voice from the first time we heard it, and we had a great time over the last year getting to know you and working with you to plan our special day! We’ll never forget the way you sang the Everly Brothers’ “Let It Be Me! All the best, Jennifer and Andrew Hung

There’s nothing as memorable as a GORGEOUS wedding with vintage live music. These are the events that live on in memory long after everyone has forgotten how many sequins there were on the tablecloths, or what was on the buffet table — or at the candy stations.

“If we could re-live one night over and over again for the rest of our lives, if would be the night of our daughter’s wedding.” Rand and Barbara Drake

Whitney’s wedding really was a lot of fun. We re-created the feel of an elegant nightclub right out of a movie. A late-model Old Hollywood movie, actually — one that had encouraged those at home to hold on just a little bit longer during the last days of World War II. “Casablanca” was our inspiration. We wanted it to be a surprise for the guests, so for the longest time, the theme was a little secret she and her parents and I shared as we plotted and schemed to delight and thrill a diverse group of families and guests. Our code name for the plan: Stealth Egyptian.

From the “host” who greeted arriving guests in a tall red fez to the table placement and special touches Barbara sewed into the bride’s and bridesmaid’s dresses, everything about that wedding was a work of art. The live early swing Era music the band and I performed all evening put it over the top.

As time goes by (pun intended), the spell that was cast on the occasion of Whitney’s wedding lives on. We have the pictures, and they are of a bunch of people having the time of their lives. And so it is with these lovely events. Whitney is a mother herself now, raising children of her own. But for one lovely, dreamy night…..

This, from a New York City fashion editor. For the last dance, we had played our own ethereal re-mix of New York, New York:

I wanted to drop you a note just to say hello and thank you again. I find myself telling my friends and co-workers about the wedding often. Just yesterday, I was talking about the music with a co-worker and it just brought back so many great feelings and memories, I had to write you a quick note. I clicked through the many pictures and imagine my surprise when I found some of our own wedding, right there! I really cherish the long talks we had leading up to our big day and I truly appreciate everything you and your band have given us. Many thanks and take care, Lyn Montagna Lynch

Music is a very powerful ingredient in the mystery of remembrance.

Saturday, November 21, 2009

Vintage Live Music for Weddings: Retro, Glamorous Fun!

Live music, with a terrific band playing to an exuberant crowd of party and wedding guests; what fun!

What makes for a great plan utilizing live music at weddings and events?

To me, the repertoire’s the thing.

There is nothing that’s as much fun at a wedding or party than the special INTERACTIVE relationship between brides and grooms, wedding and party guests and a live band — especially a live band with an enormous repertoire.

And how boring that music would be if it were all just swing, or a steady diet of big band dance music from the 1940’s. The music of the 1950’s 1960’s and 1970’s is SO HOT! Our eclectic jazz-pop-swing repertoire has become very contemporary in it’s retro moderne vintageness. We know thousands of songs — our enormous repertoire is actually legendary — and not everything we play is an “obvious choice.” It’s this uniqueness that’s part of the excitement of having live music at a wedding or an event.

Songs like Destination Moon, Song Of The Jet and Hotel California are fun, mood-provoking, sleek and cerebral, flirty and deep, light and elegant. We love the kind of live music that thrills and delights wedding and party guests. By pre-arrangement with the client, of course!

We LOVE to set the scene at a wedding or event. And we are especially loving the creativity of the music we think up to do for modern retro- vintage, mid-century space-age jet set events. We’ve been playing these songs for years; now we’re hearing them on the radio as a new generation realizes there’s more to music than….well…that OTHER stuff.

From Roaring Twenties theme parties, 1950’s doo-wop and oldies music for mid-century retro events, Old Hollywood glamour for estate and ballroom weddings — to hip, jet set Atomic Lounge vintage music for a great 1960’s pool or lounge party — Old Hollywood glamour for events and weddings with LIVE MUSIC is big time fun!

The Great Gatsby…Audrey Hepburn…Grace Kelly…Palm Springs Weekend…a Sinatra Rat Pack lounge party… Casino Royale! My Fair Lady…Breakfast at Tiffany’s…Sabrina…Funny Face…The Bandwagon…Yay!

And outdoor weddings; gotta love ’em. This is why we live in California!

If you can think of it, we can play it. And if you can’t think of it, we can!

We even take requests from the dance floor! If it’s good music, you can bet it’s in our repertoire. It’s all swing to us!